Tuesday, November 29, 2011

The Lioness and the Black Widow 18

After I cut out The Duchess’ liver, I followed Lavinia to the dungeon. The three victims of the recent sacrifice were laid out in a row on the floor. All had been eviscerated. Bloody entrails and vital organs were strewn about. The “dungeon” was more of a slaughterhouse with knives, machetes, axes, mallets and drills hanging from the walls and spread out on two tables. A large table vice was bolted to one of the tables. Stainless steel hooks hung from the ceiling, attached to thick chains.

Lavinia shut the door behind me and took the liver from my hands. She ordered me to strip off my clothes. After disrobing, I stood naked in front of her; all-too conscious of the bruises that covered my battered body. She handed the liver back to me, with the care that one would handle the most delicate and treasured of objects.

I followed each finger as they unbuttoned the black overcoat and slipped it off. My cock began to stiffen and throb as she removed her black blouse. Only a fresh scar remained where her right breast had been. I cupped her left breast in my hand, then sucked and licked her pink nipple. Her hands found my fully erect penis. She groped it, stroked it and squeezed my balls; then she pushed me away and undid her black skirt. She wore long, black leather boots that concealed her prosthetic limbs. My eyes hungrily wandered from her boots, to her milky white thighs, to her shaven pussy.

She took off the mask. Her face was so badly disfigured that she bore no resemblance to the beautiful young woman she was before. She had no teeth, her nose lay flat on her face. Her high-cheek bones had been smashed, to be replaced by large unsightly mounds that narrowed her eyes; giving her the appearance of an Asian woman who’d been born with some horrendous birth defect. One eye now sat lower than the other and her face was covered with gouges and scars. The only sign of her former beauty that remained, was her long, raven-black hair.

Her voice entered my mind, “Feed me.” I took a bite out of the raw meat, chewed it up and swished it around in my mouth till it was liquid. Lavinia wrapped her arms around my neck and pressed her lips to mine. I spit the thick fluid into her mouth, providing her with the precious meat of a fallen Matriarch. She took the liver from my hands, backed toward the table behind her, hopped up on it and motioned for me to come closer. I went to her and stood between her legs. She placed her hands on my shoulders and gently pushed down. I fell to my knees and buried my face in her hot, wet pussy. I wriggled my tongue around inside her, then I took her clit between my lips; licking, sucking and humming.

She pulled me up by the ear and held the liver to my mouth. I took a bite and repeated the feeding process. Again, she pushed down on my shoulders; prompting me to return to my knees and continue licking her clit. I slid two-fingers inside her, then wriggled them around as I worked her clit with my lips and tongue. Her body tensed, her thighs constricted around my head, an animalistic howl emanated from her blood-smeared mouth announcing her orgasm. She set the liver aside, pulled me to my feet, grabbed onto my ass with both hands and jerked me toward her. I guided my cock into her tight pussy, eased myself inside her, then I fucked her slow and deep, my hips gyrating between her thighs.

Lavinia’s voice whispered, “Close your eyes,” into my thoughts. “Now open them.” I opened my eyes to see the old Lavinia; all signs of disfigurement were gone, her beauty restored. She grabbed my head, pulled my face toward hers and kissed me. Her tongue writhed around like a serpent in my mouth. With my left hand, I caressed her right breast, pinching and playing with the nipple till it hardened. Her voice commanded, “Fuck me harder!” I plunged myself into her hard and fast; shaking the table, slamming it into the wall. Crude, but heavily used, tools of torture fell to the floor with stony “thuds” and metallic “clangs“.

I was submerged in a current of euphoria; washed away in its dark waters; drifting blissfully into the abyss. I came so hard that I got dizzy and would have collapsed, if I hadn’t been secure in Lavinia’s embrace. My fear returned when someone pounded on the steel door. Lavinia pushed me away, hopped off the table and stepped into her skirt. I hurriedly retrieved my clothes and pulled them on. I watched Lavinia as she buttoned her blouse, she was still disfigured. Quickly, I looked away as I put on my shoes. Lavinia’s voice said, “Since I can get into your mind, I can make you believe I’m still beautiful…even if it’s only for a brief moment.”

I went to her side, kissed her scarred cheek and thought, “I think you’re beautiful no matter what.” Lavinia threw me to the floor next to the bodies. I fell into a pool of blood and guts. Her voice screamed, “LIAR! I’m not beautiful. I’m ugly. I’m the ugliest woman in the world and I am equally as terrible. If I wanted to be the most beautiful, I would have remained that way. Instead, I chose to be the most feared.” She covered her face with her mask and put on her overcoat. Again, someone pounded on the door. I thought, “Who’s out there?” Lavinia responded to my thought, “Damijana.”

Lavinia opened the door and Damijana crossed the threshold. She spoke out loud, “Lavinia, we have business to attend to.”

Lavinia’s voice replied, “No we don’t. Our business here is done. The Amazons can clean up the mess.”

Damijana looked down at me lain out in a pool of blood. I quickly fumbled to my feet, struggling to gain my balance. Damijana asked, “Are you having fun Clarence?” I looked to the floor, searching for a spot of concrete that hadn’t been stained with blood. Damijana laughed contemptuously and said, “Clarence, you’re such a fucking fool.”

Lavinia’s voice asserted, “Hold your tongue Dami. He belongs to me. Go get Sally and take him back to the house.” Damijana stormed out the dungeon. Knowing they only allowed me to hear what they wanted me to hear, I wondered what else was said. I turned to Lavinia and thought, “Can’t I stay here with you? I…” She interrupted my thought with an irrevocable, “No!”

Damijana and Black Sally led me out of the tunnel. They brought me to a small, filthy shower stall tucked in a corner of the basement. There I stripped off my blood-soaked clothes and washed myself. Sally gave me a pair of black coveralls, which I was forced to put on wet as there were no towels available in the abandoned dwelling. I followed the women to a black SUV with tinted windows. Sally climbed into the driver’s seat. Damijana sat next to me in the back, her close proximity adding to my anxiety and discomfort.

Damijana sat stiff with her head turned towards me. She said nothing, she just stared. I looked straight ahead, doing my best to avoid eye-contact. My clammy hands trembled. Finally, unable to endure the heat of Damijana’s glare any longer, I turned to her and asked, “What? Why are you so angry and disgusted with me? When you first brought me to the house, you told me there would be a line to follow. You told me that if I followed that line, everything would be okay. I did what you told me to do. I went everywhere you told me to go.”

Damijana spoke out loud, “I never told you to fall in love with my sister and become her slave.”

I replied, “The whole house is her slave. Everyone she comes in contact with becomes her pawn or she destroys them. You know this. You’ve known her all your life. What did you think was going to happen?” I saw Black Sally’s eyes in the rearview, watching and analyzing.

Damijana turned her head away and stared out the window. “I expected you to be repulsed by my sister, not attracted to her.”

“Do you mean her appearance? I made a commitment to her before she was maimed and crippled. What would I be if I tried to back out of that commitment after her beauty was stripped away? What would I be if I walked away from her when she needed me most?”

Damijana turned back toward me, her eyes furious and fierce. “You would be exercising common-fucking-sense Clarence. When I sent you to her, there was an agreement in place. Of course, you were unaware of this agreement. As I said before, you don’t know shit in the first place. No matter what happened, Lavinia was to give an ‘out’ at some point in time. She held up her end of the agreement, even in her ‘time of need’, and gave you the opportunity to walk away from her. But you were so moved by pity, and a ridiculous urge to be some kind of ‘rescuer’, that you completely ignored the fact that Lavinia will eventually cut you into pieces and feed you to the dead. I did not expect you to remain by her side after you found out who she is and what she does.”

“I love your sister. I hate the way that love came about. I hate many of the things your sister has done to me. But I love Lavinia and I made a commitment to her. I’m well-aware of the risk, the pain and the inevitable outcome. My love for her is the most powerful emotion I’ve ever known. I wouldn’t want to live without it. I’ve already sacrificed so much for it, it would be impossible for me to turn back. Everything I’ve been through…it all would be for nothing. I love her for who she is, the good and the bad. You might think my love for Lavinia is foolish and disgusting. But to me, Damijana, my love for your sister is beautiful and noble.”

“You would rather love a monster than be alone. You’d rather die a horrible, humiliating death than walk away from the one who will send you to that death. You would rather have her than me.”

“Is that what this is really about? The choice I never had?”

Black Sally interrupted, “Look, Clarence, I can appreciate the beauty and nobility in your love for Lavinia. You don’t understand what Damijana is telling you. You talk about ‘sacrifice’ and not wanting everything to ‘be for nothing’. Lavinia is incapable of seeing any beauty or nobility in your love. She has no empathy. She doesn’t know love, she doesn’t care to. You placed your heart in the hands of someone who doesn’t give a fuck about it. I’ve known Lavinia a long time Clarence. She won’t remember you two days after you’re gone. Do you think she holds a special place in her heart for Alfred? Alfred didn’t do anything wrong. He loved her just like you do. Then one day, Lavinia just decided to start cutting shit off. There was no reason for it. It wasn’t punishment. It just suited her fancy at the time. Clarence, if you’re capable of the kind of loyalty I’ve seen you devote to Lavinia, and you’ve given it someone who will only spit on it and destroy it, then your foolishness diminishes the value of your love and loyalty. It makes costume jewelry out of your ‘beauty’ and ‘nobility’ Clarence.”

Lavinia’s voice entered my mind, “Do you believe them? Do you believe that I’m incapable of love?”

I replied in thought, “No. I‘ve felt your love. I know it‘s real.”

“I appreciate your love Clarence. It’s beautiful.”

24 comments:

  1. 40 40 #OmniIntelligence

    <655 An✺Ti 621>
    <413 De✺Su 565>
    <364 Su✺De 212>
    <536 By✺Go 334>
    <122 Go✺By 156>
    <241 An✺Ti 443>

    66/6

    20:20 #Node

    ReplyDelete
  2. (#Christ) Mother Time Mother Time

    20:20 Please #Increase My #Understanding

    5-5-5
    #Takahe

    <364 552 212>

    ReplyDelete
  3. ALL POWER AND GLORY BELONGS TO GOD!

    20:20 #Clockwork, #Cybernetic808s

    66 Mormon Women, 18 Blind Mice, 54 Bulls

    <413 225 565>

    ReplyDelete
  4. (#Christ) 40 40 Diane Neal 38
    20:20 #Percolator
    #Four 9-6 #Tarot Cards for The Hour
    http://96wmmw69.blogspot.com/
    66/6
    20:20 #Clockwork
    #Christ 41

    ReplyDelete
  5. (#Christ) 40 40 89

    11 Roses to You

    66/6

    #Destroyer

    <655 331 621>

    ReplyDelete
  6. 40 40 #OmniIntelligence

    20:20 #An San

    20:20 #Clockwork
    20:20 #WaveSequence
    #Spirits in The #Sequence
    20:20 #Clockwork

    #Carrier

    66/6

    40 40 #OmniIntelligence

    20:20 #De Fytonfy

    20:20 #Clockwork
    20:20 #WaveSequence
    20:20 #Babelese
    #Transcription
    20:20 #Clockwork
    <*De>

    66/6

    40 40 #OmniIntelligence

    20:20 #Ti Fytonpo

    20:20 #Clockwork
    20:20 #WaveSequence
    20:20 #Babelese
    #Transcription
    20:20 #Clockwork


    66/6

    40 40 #OmniIntelligence

    20:20 #Go Fytonla

    20:20 #Clockwork
    20:20 #WaveSequence
    9-6 #Babelese
    6-9 #Modulation
    20:20 #Clockwork
    <*Go>

    66/6

    40 40 #OmniIntelligence

    20:20 #Su Fytonvy

    20:20 #Clockwork
    20:20 #WaveSequence
    <536 664 334>
    9-6 #Modulation
    20:20 #Clockwork


    66/6

    40 40 #OmniIntelligence

    20:20 #By Fytonhu

    20:20 #Clockwork
    20:20 #WaveSequence
    <122 446 156>
    6-9 #Modulation
    20:20 #Clockwork
    <*By>

    66/6

    40 40 #OmniIntelligence

    20:20 #Ra Fytonko

    20:20 #Clockwork
    20:20 #WaveSequence
    <241 113 443>
    9-6 #Modulation
    20:20 #Clockwork


    66/6

    40 40 #OmniIntelligence

    20:20 #Me FytonNi

    20:20 #Clockwork
    20:20 #WaveSequence
    <655 331 621>
    6-9 #Modulation
    20:20 #Clockwork
    <*Me>

    66/6
    0 retweets 0 likes
    Reply

    40 40 #OmniIntelligence

    20:20 #Ni Fytonme

    20:20 #Clockwork
    20:20 #WaveSequence
    <413 225 565>
    9-6 #Modulation
    20:20 #Clockwork


    66/6

    40 40 #OmniIntelligence

    20:20 #Ko Fytonra

    20:20 #Clockwork
    20:20 #WaveSequence
    <364 552 212>
    6-9 #Modulation
    20:20 #Clockwork
    <*Ko>

    66/6

    40 40 #OmniIntelligence

    20:20 #Hu Fytonby

    ONE SUPREME SWAN



    66/6

    40 40 #OmniIntelligence

    20:20 #Vy Fytonsu

    20:20 #Green in The #Study w/a #Candlestick

    20:20 #Bisquick

    20:20 #QuickTransfer

    <*Vy>

    66/6

    40 40 #OmniIntelligence

    20:20 #La Fytongo

    20:20 #Concept #Carrier

    9-6 #Algorithms

    20:20 #MatrixWheel

    20:20 #Continuum

    O9O



    66/6

    40 40 #OmniIntelligence

    20:20 #Po Fytonti

    20:20 #Concept #Carrier

    6-9 #Algorithms

    20:20 #MatrixWheel

    20:20 #Continuum

    O6O

    <*Po>

    66/6

    40 40 #OmniIntelligence

    20:20 #Fy Fytonde

    20:20 #Gene #Expression

    #DefinePoint

    20:20 #ReadingMaterial

    20:20 #Demodulation



    66/6

    40 40 #OmniIntelligence

    20:20 #Ton Fytonan

    #SixteenKeys

    9-6 #Formatting

    20:20 #Encryption

    #Tools to #Effect #Brainfreeze

    <*Ton>

    66/6

    ReplyDelete
  7. 'In his mouth are only wolf-teeth,
    Cunning fox-claws in his mittens,
    In his shoes art only bear-claws,
    In his belt a hungry dagger'
    38

    ReplyDelete
  8. (#Christ) 40 40 #Gallium
    20:20 A to Z in The Manger
    6-9 #Programmers
    9-6 Hisi-Roll
    66 #Cycles a Week, 6 #Cycles a Day
    20:20 #Christ 41
    72Hrs

    ReplyDelete
  9. (#Christ) 20:20 #AntiVirus
    20:20 #A
    20:20 #Burn #Pattern
    72/11
    72/11 I say
    72/11
    20:20 Hisi-Roll
    140 #Characters
    20:20 Bong Bong
    72Hrs
    #Lore

    (#Christ) 20:20 #AntiVirus
    20:20 #An
    #Titanium Ezekiel 3:8-9
    41 Crayons
    41 Crayons I say
    41 Crayons
    72Hrs
    Symposium for Advance
    #Christ 41
    x

    (#Christ) 20:20 #AntiVirus
    20:20 #Ant
    20:20 Hisi-Roll
    66 #Cycles a Week, 6 #Cycles a Day
    SSI Ends 6664
    No Mercy for the bogus ape trash
    66/6

    (#Christ) 20:20 #AntiVirus
    20:20 #Ants
    Dehumanization Facilities
    Symposium for Advance
    20:20 #Transhumanism

    #Satan 41
    66/6
    10
    o

    ReplyDelete
  10. (#Christ) 20:20 #AntiVirus
    20:20 #B
    6-9 #CodeGenerator
    41,000 Killer Bees
    #SatanCytokine is #Signaling in The #Stream
    66/6
    140 #Characters
    x

    (#Christ) 20:20 #AntiVirus
    20:20 #Ba
    #Tribulation #Sequence
    20:20 #Burn #Pattern
    40 40 #Tisiphone 8
    20:20 NO MERCY
    20:20 BOT-CHOPPER
    10
    66/6

    (#Christ) 20:20 #AntiVirus
    20:20 #Bat
    20:20 No Mercy
    Gonna hurt this trash as bad as I possibly can
    #SatanCytokine
    20:20 #Burn #Pattern
    66/6

    (#Christ) 20:20 #AntiVirus
    20:20 #Bats
    20:20 No Mercy
    put the monkey trash on stumps
    20:20 #CHOPSHOP
    20:20 #BLINDSIDE
    20:20 No Mercy
    66/6
    10

    ReplyDelete
  11. (#Christ) 20:20 #AntiVirus
    #SatanCytokine
    20:20 No Mercy
    Dehumanization Facilities
    6-9 #CHOPSHOP
    20:20 #C
    6-9 #Burn #Pattern
    66/6
    Birds&Bees

    ReplyDelete
  12. (#Christ) 20:20 #AntiVirus
    #SatanCytokine
    20:20 No Mercy
    Dehumanization Facilities
    9-6 #CHOPSHOP
    20:20 #C
    6-9 #Burn #Pattern
    66/6
    Birds&Bees

    (#Christ) 20:20 #AntiVirus
    #SatanCytokine
    See the ape trash on 'DYUH DYUH DYUH'

    plato's cave tards can't perceive it
    66/6
    #Ca
    o

    (#Christ) 20:20 #AntiVirus
    20:20 #Cat
    40 40 #Actinium
    20:20 #SystemSecurity
    #Spirits in The #Sequence
    #WickedManifest
    66/6
    20:20 No Mercy

    (#Christ) 20:20 #AntiVirus
    20:20 #Cats
    20:20 #Burn #Pattern
    6-9 Rings of #Saturn
    20:20 #Spinneret
    Speakin' #Babelese
    66/6
    20:20 NO MERCY
    10

    ReplyDelete
  13. (#Christ) 20:20 #AntiVirus
    20:20 #D
    20:20 #HopScotch
    The Birds&The #Bees
    20;20 #Burn #Pattern
    41 Ways
    20:20 Hisi-#Lore
    72/11
    140 #Characters

    (#Christ) 20:20 #AntiVirus
    20:20 #Di

    41,000 Killer Bees
    See the ape trash on 'DYUH DYUH DYUH'
    Alfred E. is Doomed
    NO MERCY
    66/6

    (#Christ)20:20 #AntiVirus
    20:20 #Dic
    20:20 Swift Destruction
    The ape trash is stuck on #Schema
    20:20 No Mercy
    Dehumanization Facilities
    66/6

    (#Christ)20:20 #AntiVirus
    9-6 #Dice
    Writers on The #Stream
    9-6 #SignalPattern

    the ape trash can't see the #Serpent
    66/6
    RODENTS

    ReplyDelete
  14. (#Christ) 40 40 #Gallium
    9-6 Eternal #Lore
    #SatanCytokine
    41 Ways
    20:20 #AntiVirus
    Unpleasant Surprise
    72Hrs
    40 40 Local Group #IronRod
    oxoo

    ReplyDelete
  15. (#Christ) 20:20 Tetractys
    #Su #Vy K♣
    #By #Hu 3♥,10♦
    #Ra #Ko 10♠,J♦,A♠
    #Me #Ni 5♠,7♠,8♦,6♠
    66/6

    ♥♦♣♠

    ReplyDelete
  16. 20:20 Sharon Tate 48 Turns Over a Card

    The Card is Divided into 4 Sections, at The Center of The Card where The 4 Sections Meet,
    See a Porcupine

    In The Upper Left Hand Section of The Card, See a Yellow Magic Hexagon on a Black Background:
    3,17,18,
    19,7,1,11,
    16,2,5,6,9,
    12,4,8,14,
    10,13,15.
    At Top Center on Section, See The Name 'Satan 38' in Silver Lettering
    At Bottom Center on Section, See The Name 'Diane Neal 38' in Blue Lettering

    In The Upper Right Hand Section of The Card, See an Image of The Statue of Liberty on a Green Background. To The Left of The Statue of Liberty, See a Gold Ram's Head with Razor-Wire Wrapped Around The Horns. To The Right of The Statue of Liberty, See an Image of The Guennol Lioness.

    In The Lower Right Hand Section of The Card, See an Open Laptop Computer on The Hood of a Green Jeep. The License Plate on The Jeep is Silver with a Blue CBS Eye on it. On The Computer Monitor, See a Silver Octopus on a Black Background. See a Red and White Checkered Book Above The Laptop. On The Cover of The Book, See The Name 'Betty Crocker' in Blue Letters. The Background on The Section is Cement Gray.
    On Top Center on Section, See a Tommy Gun (Drawer Points Gun)
    On Bottom Center on Section, See The Name 'Sagittarius A*' in Green Letters

    In The Lower Left Hand Section of The Card, See an Image of Marissa Mayer. Marissa Mayer is Standing, She Wears a Pink Latex Bodysuit. See a Blood-Red Number '22' Between Marissa Mayer's Breasts. Marissa Mayer Holds a Simon Game in Her Left Hand, She Holds a Model of Earth Tucked Under Her Right Arm Like a Ball. See a Komodo Dragon to Marissa Mayer's Left. See a White Tiger to Marissa Mayer's Right. Above Marissa Mayer's Head, See a Gold '4-H'.
    The Background on The Section is Milky White.
    At Bottom Center on Section, See The Word 'Prosperity' in Gold Letters.

    In The Upper Right Hand Corner of The Card's Margin, See The Symbol 'An' in Green

    In The Lower Right Hand Corner of The Card's Margin, See a Pair of Silver Nunchaku

    In The Lower Left Hand Corner of The Card's Margin, See an Image of R2-D2

    In The Upper Left Hand Corner of The Card's Margin, See a Bald Eagle

    <20:20 The Áine Órga 808 Deck>

    ReplyDelete
  17. See The ATM Machine Spit Out a Tarot Card Instead of Cash

    The Background is Green, The Margin is Silver

    At The Center of The Card, See a Gold Medusa's Head with '2070' Painted on Her Forehead in White. See an Image of Diane Neal Standing on Top of The Medusa's Head. Diane Neal wears a Black Business Suit with Silver Pin-Stripes and a Long Black Skirt. See a Silver Collar Around Diane Neal's Neck. See a Gold '38' on Diane Neal's Left Lapel. Diane Neal Smirks. In her Left Hand, she holds up a Gold Birdcage with a Barbie Doll inside. In her Right Hand, she holds a Punishment Cane. Above Diane Neal's Head, see a Blood-Red Ram's Head with Razor-Wire Wrapped Around the Horns. The Ram has a Glowing Blue Cube in his open mouth that says '41' on it in Gold.

    Above The Center Scene, See The Cover of 'The Diary of a Young Girl' by Anne Frank. See a Bronze Tomahawk to the Right of The Book-Cover (Head Toward Top of Card), See a Bronze Tomahawk to the Left of The Book-Cover (Head Toward Bottom of Card). See a Silver Swan with Outstretched Wings Above the Book Cover.

    To The Right of The Center Scene, See an Image of Sarah Silverman Sitting in a Brown Wicker Basket. Sarah Silverman's Bare-Chested Upper Body is visible, her Lower Body is concealed by the Basket. Sarah Silverman Smiles. She Holds a Silver Sign Up Over her Head with Both Hands. The Sign says 'Wickedness' on it in Gold. See a Platinum Joker's Head on the Basket. To the Left of Sarah Silverman, See a Red '11', To the Right of Sarah Silverman, See a White '55'. Below the Basket, See a Blood-Red Banner that says 'Zechariah 5:8' on it in Gold.

    Below The Center Scene, See a Silver Wraith Maiden in a White Robe, The Wraith Maiden Sits on a Hippopotamus. The Wraith Maiden Holds a Black Sign Up over Her Head with Both Hands. The Sign says 'Job 40:24' on it in White Letters. See a Red '22' on The Wraith Maiden's Robe, over Her Left Breast. Below The Hippo, See an Orange Banner that says 'Cecelia Ann Shepard' on it in Black.

    To The Left of The Center Scene, See a Platinum Winged Female Angel Playing a Gold Harp. See a White Rabbit by The Angel's Foot. See a Neon Red 'XLIX' Above The Scene. Below The Scene, See a Blue Banner that says '20:20 Gnosis Line' on it in Gold.

    On The Top Right Hand Corner of The Card, See a Satellite Dish

    On The Top Left Hand Corner, See an Ewok

    On The Lower Left Hand Corner, See a Flint Knife

    On The Lower Right Hand Corner, See a Hollywood Sign

    On The Top of The Card, Below The Margin, it says '20:20 Fourier Transform' in Red

    On The Bottom of The Card, Above The Margin, it says, '38 Diane Neal/Casey Novak 38' in Red

    On The Top Margin of The Card it says 'Xochiquetzal 49' in Orange

    On The Bottom Margin of The Card it says '11 Sarah Silverman 55' in Blue

    On The Right Margin of The Card it says 'Anne Frank 55' in Black

    On The Left Margin of The Card it says 'Cecelia Ann Shepard 22' in Black

    See a Bronze Tomahawk on Each of The Four Corners of The Card's Margin

    ReplyDelete
  18. Merope Turns Over a Card

    The Background on The Card is Cement Gray

    Centered on The Card, See an Image of Diane Neal. Diane Neal Stands On a Black Cube. The Cube is Covered with Rows of Green Binary Code Strings. Diane Neal is Nude. See a Green Number '38' Between Her Breasts. Diane Neal Holds an Open Straight-Razor with Her Left Hand, She Holds a Conch Shell with Her Right Hand. See a Falcon on Diane Neal's Left Shoulder. Above Diane Neal's Head, See a Magic Hexagon (Black Lines&Red Numbers):
    3,17,18,
    19,7,1,11,
    16,2,5,6,9,
    12,4,8,14,
    10,13,15.

    To Diane Neal's Right, See an Image of Scarlett Johansson Naked and On Her Hands and Knees. Scarlett Johansson is Facing The Viewer. See a Black Man-Beast Kneeling Behind Scarlett Johansson. The Man-Beast has 2 Horns on His Head. The Man-Beast Grips a Handful of Scarlett Johansson's Hair with His Left Hand. He Holds a 4-Pronged Gold Trident Upraised with His Right Hand.

    To Diane Neal's Left, See an Image of Kate Hudson. Kate Hudson is Nude from The Waist Up, She Wears a Silver Skirt that Covers Her from Waist to Feet. Kate Hudson's Arms have Been Removed. See a Blue Number '808' Between Her Breasts. See a Gold Sex Demon Head Above Kate Hudson's Head.

    In The Upper Right Hand Portion of The Card, See an Image of Megyn Kelly's Severed Head. See a Blue Number '86' on Her Forehead.

    In The Upper Left Hand Portion of The Card, See a Volleyball with a Black Number '64' on it.

    On The Top Right Hand Corner of The Card, See a Hand-Grenade

    On The Top Left Hand Corner of The Card, See a Human Heart

    On The Lower Left Hand Corner of The Card, See a Cockroach

    On The Lower Right Hand Corner of The Card, See a Yellow Hard Hat

    At Top Center, Below the Margin, it says 'Diane Neal 38' on a Black Banner in Yellow Lettering

    At Bottom Center, Above the Margin, it says 'High Priestess' on a White Banner in Blue Letters

    On The Top Margin it says 'Kate Hudson 808' in Gold Lettering

    On The Bottom Margin it says 'Scarlett Johansson 66' in Gold Lettering

    On The Left Hand Margin it says 'Hisi-Lore' in Black Letters

    On The Right Hand Margin it says 'Megyn Kelly 86' in Blue Lettering

    ReplyDelete
  19. (#Christ) 20:20 #BeavahTron
    #Su #Vy 2♥,8♦,#Q♠,7♣
    #By #Hu 2♣,3♠,A♥
    #Ra #Ko 3♥,4♦
    #Me #Ni K♥
    72/11

    ♦♣♠♥

    ReplyDelete
  20. (#Christ) 20:20
    20:20 #Quadriga
    20:20 96 #Lilith 69
    20:20 #Matrix
    #ElectromagneticOz
    20:20 Burn #Pattern
    66/6
    20:20 #Christ 41

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  21. (#Christ) 20:20
    20:20 #Clockwork
    Horological #Demonology
    72 Measures a Day
    11 Days a Week
    66 #Cycles a Week,6 #Cycles a Day
    41

    ReplyDelete
  22. 40 40 #OmniIntelligence

    <355 An✺Ti 321>

    <333 Su✺De 212>
    <53A Go✺By 222>
    <122 Go✺By 15A>
    <241 An✺Ti 443>

    66/6

    20:20 #Node

    ReplyDelete
  23. Ton #An
    *<⮅>
    20:20 Freaky #Tail
    Dr. Jekyll Drinks The #Formula
    20:20 #QuickMorph
    #Rabies 89
    #16Monomers On The #Clothesline
    66/6
    #Expression

    Fy #De
    <⮆>*
    "we tried to do a character assassination
    &we ran into a problem"
    Yeah, you sure did : )
    20:20 #Christ #Engine
    66/6
    #Rabies 89
    o

    Po #Ti
    *<⮇>
    20:20 UTR Pod 20:20 G U #A C
    #PrintedCircuitBoard
    #Rabies 89
    #Downstream #Enhancer
    20:20 #Antiwoman #Agents #Active
    66/6
    #Medium

    La #Go
    <⮄>*
    20:20 Mirror #Mirror
    20:20 #Replicate
    #Rabies 89
    20:20 #Antihuman
    20:20 #Compound
    20:20 #Formulation
    66/6
    20:20 #Fabrication
    Pod

    Vy #Su
    *<⮅>
    20:20 #Tele-#Port
    "The Door,The Door is Open"
    20:20 #Tele-#Graph
    "THERE'S SOMEONE IN THE HOUSE!"
    #Rabies 89
    66/6
    #Cell #Invasion

    ONE SUPREME SWAN

    Hu #By
    <⮆>*

    20:20 #Rabies 89 20:20 #Polymerization
    Rabies 89 is a #CytoRhabdo #Strain
    20:20 #Sophistication
    #Transduction

    Ko #Ra
    *<⮇>
    20:20 Cinderella 20:20 Sensuous
    #Rabies 89
    #Metabolic #Pathways
    20:20 #KillerSoftware
    20:20 #HyperDrive
    66/6
    #Para-#Graphing #In

    Ni #Me
    <⮄>*
    20:20 Dragonfly 20:20 Caitlin Rose
    #Rabies 89
    20:20 #Unzip #Nisus
    #reverseengineerKiller
    20:20 #Blindside
    66/6
    #Cell #Invasion
    x

    Me #Ni
    *<⮅>
    20:20 Pegasus 20:20 #FlameThrower
    20:20 #Rabies 89
    20:20 #Scrabble
    20:20 #Input
    20:20 #Output
    Mark Scorecard
    66/6
    140 Characters

    Ra #Ko
    <⮆>*
    20:20 Grandstand 20:20 High Wire
    20:20 #Nuclear #Radiation #Gain
    you posers are in the mire
    20:20 #Rabies 89
    #Polymorphic
    66/6
    x

    By #Hu
    *<⮇>
    20:20 Barcelona Beach 20:20 Cupcake
    20:20 #Rabies 89
    20:20 #Twitter #Vector
    #Infect #DataStructure
    Rabies in The #Vine
    66/6
    mRNA

    <25653 52124>
    20:20 Rabies 89
    20:20 An De Ti Go
    20:20 #Su
    6-9 #Updater
    5 Degrees of Rabbit Out The Hat
    66/6
    20:20 Charlie Scat
    <36511 14435>

    <25653 52124>
    20:20 Rabies 89
    20:20 An De Ti #Go
    20:20 #Spitball
    20:20 #readerBeaters
    20:20 #Polymorphic #Engine
    G U A C#
    66/6
    <36511 14435>

    <25653 52124>
    20:20 #Rabies 89
    20:20 An De #Ti Go
    20:20 G U A C#
    20:20 #SymbolicReps
    20:20 #Render in #Cell
    #iInfectious
    72/11
    <36511 14435>

    <25653 52124>
    20:20 Rabies 89
    20:20 An #De Ti Go
    20:20 #Virus #Transduction
    20:20 Cross-Dimensional
    20:20 #Quantum #Nodes
    66/6
    <36511 14435>

    <25653 52124>
    20:20 Rabies 89
    20:20 #An De Ti Go
    Shimma Shimma Scooby Doo
    20:20 Peek-a-Boo
    20:20 #QuickTransfer
    66/6
    #Satan 41
    <36511 14435>

    Su #Vy
    <⮄>*
    20:20 #AUG 20:20 Shimma Shimma
    20:20 #Rabies 89
    20:20 #M104 #Ichneumon #Deliver #Analog
    20:20 #CDS
    66/6
    #Antihuman #Compound
    Pod

    Go #La
    *<⮅>
    20:20 UTR Pod 20:20 G U A C#
    20:20 #Transponder #Thread
    20:20 #Rabies 89 #Promoter
    20:20 #Radioactive #Text-#Tiles : )
    66/6
    mRNA

    Ti #Po
    <⮆>*
    20:20 #Nuclear #Radiation #Gain
    #Antihuman #Compound
    #Poison the human #genome
    #Rabies 89
    20:20 #HyperDrive
    72/11
    140 Characters

    De #Fy
    *<⮇>
    20:20 #IRES 20:20 #RNA #Polymerase
    20:20 Reel-to-Reel
    20:20 #Rabies 89
    20:20 #Synthesis
    20:20 #QuickConfigure
    66/6
    #Transduction

    An #Ton
    <⮄>*
    20:20 5 #Cap Prime
    20:20 Mr. Hyde
    20:20 #Oscillator
    #Rabies 89
    20:20 #WaveSequence
    20:20 #Progression
    66/6
    #Nuclear #Export
    Pod

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